In a world where long drinks are in short supply, a stranger listens to the voice in his head telling him to buy a lemonade from the girl sitting on a dusty road.
The moment locks them together.
Here and now it's dangerous to listen to your inner voice. Those who do, keep it quiet.
These voices have purpose.
And when Pilgrim meets Lacey, there is a reason. He just doesn't know it yet.
Long seen though they've been as the preserve of the precocious, or the last hope of the lonely, imaginary friends are ten-a-penny in Defender.
G. X. Todd's remarkably readable dystopian debut posits a planet Earth ravaged by unfathomable cataclysm. On the one hand, survivors are scant; on the other, theories about how it happened aren't. "To get it over and done with, he quickly ticked off the points on his fingers as he listed them. 'Biological attack, poisoning, after-effects of dementia vaccines, aliens, subliminal and/or psychological warfare, chemical agents in the water supply, the mystical forces of sea tides and the moon. And, my personal favourite, some kind of Rapture-type event.'" (p.101)
But the cause of this apocalypse isn't the point of Todd's text—the first of four in a series starting here. Instead, she's interested in the effect: namely the voices people started hearing in their heads. Defender's protagonist Pilgrim has one; he calls it, of all things, Voice. That said, he's a rarity these days, because most of the folks who ended up with imaginary friends are dead.
Whether they're symptomatic of a mass auditory hallucination or something more... well. "That's the million-dollar question," (p.254) one Todd isn't inclined to answer—at least, not in this novel—but it's safe today to say that these imaginary friends mightn't be entirely made up. Nor, indeed, are they terribly friendly. Many pushed the people who heard them into murder and suicide, hence the paltry population of Defender's North America. Pilgrim, for his part, has come to something of an understanding with the who-knows-what he hosts:
Any sense of peace he ever hoped to achieve would only be an illusion, for Voice was always with him and always would be. He was demon and angel and conscience wrapped up in one, and there was no escaping him. (p.10)To wit, when Voice urges Pilgrim to offer the girl selling lemonade from a stand by the side of the road a ride, it's easier for our hero to hear her out than to start a subconscious squabble there'd be no stopping.
Lacey seems harmless enough in any event. Sixteen years old, she's been raised in blissful ignorance in a farm off the beaten track by her Gran, but now that her Gran is gone, the farm has fallen fallow, and she knows she needs to move on. What she wants is to get to her sister's in Vicksburg. It's been years since they saw one another, but Lacey believes her sister is a survivor; that together, they could turn their little lives into something worthwhile.
Taking on a passenger goes against everything that's kept Pilgrim alive—if not well—since everything went to hell, but for some mysterious reason, Voice won't take no for an answer, so Lacey packs a rucksack, sit in the pillion position, and off they pop.
That's how the adventures of Lacey and Pilgrim begin—and that might well be how they end as well, because unbeknownst to them, they're on a collision course with a monster of a man called Charles Dumont: a creepy country bumpkin who's tasked his gun-toting gang to round up any and all of the survivors they come across—especially those that have been "blessed" with imaginary friends.